![]() The series incorporates a multidisciplinary narrative that heavily references connections between real people, real places and real things personal to Barney himself, but are all fictionalized to some extent. Barney's longtime collaborator Jonathan Bepler composed and arranged the soundtracks for the films. Guggenheim Museum in New York City, which traveled to the Museum Ludwig in Cologne and the Musée d'art Moderne in Paris from 2002-03. The Cremaster Cycle was made over a period of eight years (1994–2002) and culminated in a major museum exhibition organized by Nancy Spector of the Solomon R. ![]() The Cremaster Cycle is a series of five feature-length films, together with related sculptures, photographs, drawings, and artist's books, created by American visual artist and filmmaker Matthew Barney. But not everyone was won-over by Barney's extravagant vision, with arts journalist Matt Turner describing the series as "an exhausting experience, demonstrating a weirdness that is wearying, a dedication to a provocation that comes to feel laborious, and much material that feels like baggage". Ryle asserts that "anyone can access from any point from fashion, horror movies, architecture, drawing, photography, football, plastics - or just story-telling". Even though each film follows a different set of mythological and historical characters, they continually cross-reference (they are "inter-textual" in other words). This discontinuity would seem to underscore Barney's view that these processes (the biological process of becoming, and the artistic process of creating) are complex and non-linear. He explains that Cremaster 1 represents the spark of an idea Cremaster 2 is the rejection of the idea Cremaster 3 is the artist falling in love with the idea Cremaster 4 is panic at the knowledge that the idea is about to come to fruition, and Cremaster 5 is the final resolution.īarney, however, produced and released the five films non-chronologically, beginning with Cremaster 4 (1994), followed by Cremaster 1 (1995), Cremaster 5 (1997), Cremaster 2 (1999), and ending with Cremaster 3 (2002). ![]() For Barney, the films simultaneously allude to the process of creative development. Viewed in order, the films follow the embryonic process of sexual differentiation, beginning in Cremaster 1 with the "ascended" or undifferentiated state, and ending in Cremaster 5 at the most "descended" or differentiated state, about nine weeks after conception, when the male sex is fully realized. The film's also star chorus girls, tap dancers, Canadian Mounties, the Mormon Tabernacle Choir, helicopter pilots, bee trainers, and heavy metal bands. They are filmed in locations ranging from a palace in Budapest, the Isle of Man, and the salt flats of Utah - meanwhile, actors in the series include the actress Ursula Andress, the sculptor Richard Serra, the athlete Aimee Mullins and the writer Norman Mailer. The films make use of dense, surrealistic, and highly-sexualized imagery, married with vividly-colored and elaborate props, make-up, prosthetics, and costumes. Here he employs the narrative modes of mythology, history, and (auto) biography to explore complex biological, artistic, geological, and geographical themes. ![]() Barney's magnum opus, The Cremaster Cycle, is comprised of five high-budget, films. ![]()
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